Who say that the art does not have to propagate doctrines usually they talk about to doctrines opposites to his Jorge Luis Borges. Who have followed the life and the work of Borges will find certain degree of inusualidad in the discursivo content of the inscription. Perhaps that one is the efficient cause so that our dissertation has its beginning there. One has thought about the possibility that their political aberrations, as a day called Cortzar, have not participated in the development of their aesthetic creed. But, in fact, this has not constituted nor constitutes the Latin American norm. Indeed, we thought that it is very possible that Literature comes from the liberation of the demiurges that, all those that we felt a little writers, we took on the inside. But it is not less certain that the writer has always tried to shape the reality surrounds that it, parodiando to Anbal Ponce, with his thoughts, their feelings, their passions.

And we have been able it to this to apprehend from old verses of Netzahuatlcoyotl, like all the great ones of his time, pregnant of philosophical essence and funeral cult, until the lyrical songs of the poetry quechua. We remember, in this one, its yaraves, his jaills and his wains, full of joy. But we also remember (Tedesco, 2005) that with wancas came the expression from the sadness and the frustration of the won ones. This, also, is expressed in the stories that they described to Amalivaca, the good target, in the natives of the low Orinoco, in Venezuela. Such conception created one profesa according to which, when Amalivaca returned, it would bring the good to the village towns. The results are very known. A similar situation remembers with the return of the God Quetzalcoatl and the arrival from Courteous to the Mexico de Moctezuma.