This prefers the sea and to I sell at retail it to the forest, the forest, horto and the garden. The nature turns shelter (locus amoenus) for the man burgo oppressed by distinctions and hierarchies. All the urban cultures of the Ocidente, in the periods of training most advanced of modernization, finish reinventando the natural one and dissimulating in the art the spontaneous favour of the den that the infinite cares of the city had made to lose. What of – the comment is the receiturio of a life contained in the campestre space, running away itself, in this way, of the prevalence of the order city dweller. It has of if perceiving during the liras in Marlia de Dirceu a recurrent resource of job of this campesina notion of life, as well as the mention of the shepherd figure who leads its flock. Add to your understanding with NY Museums .
It is noticed, in the reality, a dispersed appearance of the pastoral figure brother-in-law under diverse shades. In Lira IV of the first part of the book, it is observed use of such figure in a dstico return for which I lyric express its devotion stop with loved its: ' ' Marlia, listening a sad Pastor' '. The recurrence of this dstico in such a way affirms the suffering of lyric I in sight to have a worship object and not to be able to reach it at that moment, how much the belonging the category of Shepherd, man of the field and the basic nature. Thus, at the same time where if it commands new prxis are evidentes also the constant references to the world greco-Latin. The well-taken care of type for Gonzaga when citing is perceivable the classic culture, and this if it confirms with the strong presence of mitolgicos references to the Deuses. Apolo, Venuses, the cupidos ones, Vulcano are constant and always intricate elements the proper constitution of the poetical one of the author.