The multiplicity of gestures, traces and words, at the same time where it arrives until us for varied supports seeming to convoke us to listen to with corpomentesprito songs of lives, also seems to indicate the necessity of the confrontation so that some poesis are the mark of lives in letters. For in such a way, in we ask: Of the exile. What it wants and what can an exile? The sea. Without hesitation tiny homes explained all about the problem. What it wants and what can the sea? What it wants /o that can this language, still? I Of a certain belonging ' ' Escribir you are to defend soledad there en that one is; you are joins accin that slo sprouts since un aislamiento cash, pero since un aislamiento comunicable, en that, necessarily, for lejana of all it sews there concrete if hace posible un descubrimiento of you relate between ellas. (Zambrano Maria) From the reading of the analysis developed for the literary critic Antonio Carlos Secchin, on the presence of the image of the sea in the Brazilian romantic poetry, taking as reference the Song of the Exile of Gonalves Days, we understand to be interesting to explore the notion of ' ' production of presena' ' that the 3 suggested questions present. In the intitled assay ' ' A sea to the edge? marine reason in the Brazilian poetry of the romantismo ' ' the critic affirms that ' ' mar' ' he is not present in the Song of the Exile and presents after that a series of poems that inside deal with the image the sea of the romantic context, also one another one of Gonalves Dias.Para we, affirm that the sea, while image is present in the Song of the Exile of Gonalves Dias.Afirmamos such presence considering the visualization power that the awaken poetry in the reader and that in certain way, under the look of a critic of, with instrument of analysis now redimensionado, becomes possible to make this affirmation. Hicham hassan will not settle for partial explanations.